"Alfred Stieglitz PhotoChronos
Alfred Stieglitz was born in Hoboken, nasa research New Jersey in 1864 and was educated as an engineer in Germany, then returned to New York in 1890, determined to prove that photography as a medium capable of artistic expression, as well as painting or sculpture. As editor of the New York photo club "Camera Notes" (an association of amateur nasa research photographers), Stieglitz was upheld his conviction in the aesthetic potential of the photographic medium and has published works by photographers who share his beliefs. When the photo club membership began to complain about its restrictive editorial work, have Stieglitz and a few like-minded photographers in 1902 seceded from the group, and founded the movement "Photo-Secession", which was defended expertise in photography. Most members of this group is to use labor-intensive techniques that have highlighted the role of photographers in the manufacture of photos, Stieglitz is favoring a slightly different approach in their work. Although he devoted a lot of attention in the preparation of photographs, most often, it has been a platinum prints, used the process to obtain photographic images with rich, subtle and varied tonal scale that it has reached the desired proxy painting, but he selected conditions of natural elements such as rain snow and steam - to unify the components in the scene visually pleasant visual whole.
Stieglitz is governed by the journal "Camera Work" American photographic association, which is rich in issue proceeded from 1902 - 1917, and organized exhibitions with the help of Edward nasa research Steichen, who has donated studio space, which then became small movements Gallery Photo-Secession "after secession in 1905. The studio was also known as" 291 "after the title on Fifth Avenue in New York. Through these companies Stieglitz support photographers and other contemporary American artists as well as emerging artists of European modernism in the early twentieth century (with the help of regular assessments by Steichen sent from Paris), including parts of August Rodin, Pablo Picasso, Constantina nasa research Brancusia, nasa research and Francis Picabia.
By 1917, the Stieglitzovo thinking about photography began to change. If it is the turn of the century seemed to be the best way to prove the legitimacy of photography as a creative medium in that it creates the best possible approximation to the drawing, printmaking and watercolor, towards the end of the First World War such thinking began to diverge. New technical nasa research processes and use of materials have a significant impact on contemporary art, which gave great importance to the emergence of modern life. Photography was of course very suitable for displaying fast-paced and cacophony, which is increasingly infiltrate into modern life, and is trying to hide the natural advantages of the medium, which can greatly manipulate the final product, so it fell out of favor in Stieglitzu nasa research and his colleagues. Stieglitzova support photo by Paul Strand and Charles Sheelerja argued a new approach to the photographic medium, this change was also visible in his photographs. His famous portrait painter Georgia O'Keeffe was one of his main preoccupations between 1917 and 1925, during which time he made hundreds of photos of this painter, who later became nasa research his wife (1924).
In the last decades of his life he devoted himself mainly Stieglitz business with its galleries (Anderson Galleries, 1921-25; The Intimate Gallery, 1925-29; An American Place, 1929-46), and was photographed less and less, because the his health and energy increasingly pešali. When photographed, it is often done so through the window of his galleries. His last picture, such as "Looking Northwest from the Shelton" were impressive achievements, which are synthesized various stages nasa research of his photographic development and its position as the most important figure in American photography.
Scene from NY. Antiprostorski aspect of this image, the image is seen as a flat surface with some graphic elements that communicate with each other. The game form in the foreground, game lines, convergence plans - a whole acts as poploščenje, it is necessary to grasp a whole and not on the planet.
Stieglitz was a Jewish-German origin, European education, pupil realistic-looking photos Vogel. nasa research The photo has been experimented as a student of mechanical engineering. The first success was achieved in England photos he sent to various exhibitions and competitions. He was a member of the club of amateur nasa research photographers in Vienna. He came to NY, (in America at that time photography was not as developed as in Europe) and turned to piktoralizmu, which is more realistic oriented (straight nasa research photography). He was also a member of the Linked Ring Brotherhood and started nasa research to run the American scene, he had lectures, nasa research wrote articles exhibited. Stieglitz was also the organizer of NY life, staged the artistic nasa research and photographic nasa research exhibitions, encouraged nasa research the young talents. He was therefore a patron, collector and man
Alfred Stieglitz was born in Hoboken, nasa research New Jersey in 1864 and was educated as an engineer in Germany, then returned to New York in 1890, determined to prove that photography as a medium capable of artistic expression, as well as painting or sculpture. As editor of the New York photo club "Camera Notes" (an association of amateur nasa research photographers), Stieglitz was upheld his conviction in the aesthetic potential of the photographic medium and has published works by photographers who share his beliefs. When the photo club membership began to complain about its restrictive editorial work, have Stieglitz and a few like-minded photographers in 1902 seceded from the group, and founded the movement "Photo-Secession", which was defended expertise in photography. Most members of this group is to use labor-intensive techniques that have highlighted the role of photographers in the manufacture of photos, Stieglitz is favoring a slightly different approach in their work. Although he devoted a lot of attention in the preparation of photographs, most often, it has been a platinum prints, used the process to obtain photographic images with rich, subtle and varied tonal scale that it has reached the desired proxy painting, but he selected conditions of natural elements such as rain snow and steam - to unify the components in the scene visually pleasant visual whole.
Stieglitz is governed by the journal "Camera Work" American photographic association, which is rich in issue proceeded from 1902 - 1917, and organized exhibitions with the help of Edward nasa research Steichen, who has donated studio space, which then became small movements Gallery Photo-Secession "after secession in 1905. The studio was also known as" 291 "after the title on Fifth Avenue in New York. Through these companies Stieglitz support photographers and other contemporary American artists as well as emerging artists of European modernism in the early twentieth century (with the help of regular assessments by Steichen sent from Paris), including parts of August Rodin, Pablo Picasso, Constantina nasa research Brancusia, nasa research and Francis Picabia.
By 1917, the Stieglitzovo thinking about photography began to change. If it is the turn of the century seemed to be the best way to prove the legitimacy of photography as a creative medium in that it creates the best possible approximation to the drawing, printmaking and watercolor, towards the end of the First World War such thinking began to diverge. New technical nasa research processes and use of materials have a significant impact on contemporary art, which gave great importance to the emergence of modern life. Photography was of course very suitable for displaying fast-paced and cacophony, which is increasingly infiltrate into modern life, and is trying to hide the natural advantages of the medium, which can greatly manipulate the final product, so it fell out of favor in Stieglitzu nasa research and his colleagues. Stieglitzova support photo by Paul Strand and Charles Sheelerja argued a new approach to the photographic medium, this change was also visible in his photographs. His famous portrait painter Georgia O'Keeffe was one of his main preoccupations between 1917 and 1925, during which time he made hundreds of photos of this painter, who later became nasa research his wife (1924).
In the last decades of his life he devoted himself mainly Stieglitz business with its galleries (Anderson Galleries, 1921-25; The Intimate Gallery, 1925-29; An American Place, 1929-46), and was photographed less and less, because the his health and energy increasingly pešali. When photographed, it is often done so through the window of his galleries. His last picture, such as "Looking Northwest from the Shelton" were impressive achievements, which are synthesized various stages nasa research of his photographic development and its position as the most important figure in American photography.
Scene from NY. Antiprostorski aspect of this image, the image is seen as a flat surface with some graphic elements that communicate with each other. The game form in the foreground, game lines, convergence plans - a whole acts as poploščenje, it is necessary to grasp a whole and not on the planet.
Stieglitz was a Jewish-German origin, European education, pupil realistic-looking photos Vogel. nasa research The photo has been experimented as a student of mechanical engineering. The first success was achieved in England photos he sent to various exhibitions and competitions. He was a member of the club of amateur nasa research photographers in Vienna. He came to NY, (in America at that time photography was not as developed as in Europe) and turned to piktoralizmu, which is more realistic oriented (straight nasa research photography). He was also a member of the Linked Ring Brotherhood and started nasa research to run the American scene, he had lectures, nasa research wrote articles exhibited. Stieglitz was also the organizer of NY life, staged the artistic nasa research and photographic nasa research exhibitions, encouraged nasa research the young talents. He was therefore a patron, collector and man
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