Night Visions, Back to Basics 2014: Apocalypse train vampires blog Night Visions, Back to Basics 20

A six-year break, Wong Kar-wai is back in the big screen as the Chinese martial arts history speculative in his film. The Grand Master award in America is far from the My Blueberry Nights (2007), and the neon lights of the world multiplied by love story. Wing Tsung of the great master and Bruce Lee's mentor memorable story of Ip Man is not a traditional biography antene tv of the film, but it is not bent nor the battle for the battle ahead, traveling to the ranks of action movies. More than the traditional Hong Kong action film, this is a Wong Kar-wai film.
South and the north of martial arts combining Gong Yutian is leaving its place as the dominant champion. Grand Master of the work of continuing the search for a talented artist who is able to meet the diverse kung fu-field challenges provided. Different schools of thought leaders in the rows behind the show the game to redeem antene tv the true representative of the South Ip Man (Tony Leung), whose gifts evoke awe taistelupareissaan.
Ip Man's triumphant journey brings him, however, new opponents, such as the master's daughter Er Gong (Ziyi Zhang), which takes the task of preserving family honor. Japan-China war and the post-season, however, are pushing the country into chaos and Sirpa created a martial arts schools of the community. These difficult times all the schools do not survive.
The Grandmasterin the plot is loose and is not interested to tell in detail Ip Man's personal history. Wong Kar-wai to leave it to other filmmakers. A philosophical point of view, martial arts and their survival for future generations katsasteleva the film focuses on the mood and looks magnificently carried out the battle scenes, almost meditative grip on storytelling. The dream-like story slides forward sluggish. The Grand Master differs greatly from the Finnish screens antene tv usually nähdyistä of Asian martial arts movies such as director Yimou Zhang's Hero (2002), or the house of Flying Daggers (2004), in which storytelling is more rigorous.
Wong Kar-wai's cinematic style is tight in the presence of the Grand Master, in which it supports the well choreographed fight scenes. Snow or rain made movements to multiply the images slow down the water and play a fighter designs. Close-ups to use while raising different antene tv species specific differences in the movements of the thoughts and focus instead of the fighter's styles are different. Strong light and shadow parallels to changes in the rate and depth of field Contrast have already built up a pilot trade marks. The atmosphere by photo-slight slowing down, which brings the movie floating dream property and blur the boundaries of reality. Smoke-like floats in the air Shigeru Umebayashin music.
The Grand Master is a visually enchanting antene tv film. It tells the story of opposites, through which reproduces visual world. antene tv North and South, between men and women, as well as the differences between the different generations are not insurmountable, antene tv and complement each other. Finding common ground is the way to spread the knowledge and skills to future generations, and focusing only on differences in the inundated part of history altogether. Wong Kar-wai pursue antene tv the idea of the film and the role of the teacher in popularizing the kung fu. Responsibility for the old schools of thought on the teachings of further transmission is common.
Yi dai zong shi (2013) The Grand Master Director: Wong Kar-wai Starring: Tony Leung, Zhang Ziyi Release antene tv Date: 04/10/2013 antene tv Rating: R12 Duration: 130 min Copies: antene tv 20 Production: Block 2 Pictures, Jet Tone Films, Sil -Metropole Organisation, Bona International Film Group Production countries: Hong Kong, China IMDb movie site to the coach Related Articles Happy Together - Last Tango in Buenos Aires premiere of In The Mood For Love premiere Neonpyhimys premiere
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